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So now
you have your sculpture complete and ready to cast. There's a couple
things you'll need at this point. |
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Release Agents |
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Before
we immortalize our creation in plaster, we need to prepare it. This
is fairly simple. Coat the base and sculpture with two coats of
Crystal Clear spray paint. This is made by Krylon and is available at
Wal-mart. THen apply two caots of Krylon Dulling Spray or Matte
finish whichever is available. The paint acts as a release agent from
the plaster and protects the details of your creation. |
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Casting |
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Materials
needed:
Plaster
of Paris 25lb bag
5
Gallon bucket
Wood or
cardboard (dam)
2
gallons of water or so
Chip
brush (cheap brush for working plaster in details.
Duct Tape |
While
sculpting is the Art or your creation, casting is the technical
aspect. Ultra-Cal 30 is the preferred plaster but Plaster of Paris
works just as well and is available almost everywhere. Get the
Plaster of Paris at your local home improvement store (Lowes) in the
25lb bag. There's
nothing worse than not having enough plaster when you start
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Casting Prep |
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Begin
by building a dam around the board your sculpture is sitting on. This
can be wood or cardboard taped around the board to a height of about
2 inches, as shown. Tape with Dict tape to hold in place. |
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Mixing Prep |
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Put
about two gallons of water in your bucket, more or less depending on
how big the sculpture is. Begin adding Plaster of Paris, sifting the
plaster into the water slowly. DO NOT STIR. Keep adding Plaster until
the surface of the water looks like a dried up lake bed. When it
looks like a dried up lake bed begin to stir, slowly. The idea is to
keep air bubbles at a minimum. finish stirring when all the plaster
is mixed and it has a pudding like consistency. Gentle tap the
bucket. This will help eliminate air bubble by bringing the trapped
air to the top of the surface, |
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Casting the Mask |
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Use the
Chip Brush to work the plaster into the details. You have to work
quickly as plaster will set in 20 minutes or less from the time you
stir it. Cover the mask with plaster using the chip brush. As the
plaster begins to set, cover the mask with the remaining plaster.
Build up the mold so it has at least 2 inches of plaster everywhere
covering the sculpture. If the mold is too thin it will break. Thick
is better! Use all the plaster you mixed. When everything is covered
to at least 2 inches, leave it for about two to three hours to cure. |
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Demolding |
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When
the mold is completely cured, begin removing the sculpture. Don't try
to save the sculpture, it will be ruin, but is now immortalized in
plaster. Begin by carefully removing as much clay from the center of
the mold working outwards. Be careful not to scrape the plaster. As
the center clay is removed you can start removing the rest of the
clay from the sides. You'll notice that it peels away easy, this is
due to the Crystal Clear and Dulling Spray. Remove the remaining bits
of clay and wash carefully with water to remove any stubborn bits of
clay from the plaster. Again be careful not to score the plaster.
When clean of clay, leave to mold to fully cure for 24 hours. |
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Step3 Casting the Mask
in Latex |
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